Wednesday, April 20, 2016

Wednesday, April 20, 2016

Learning Objectives:

  • Learn and apply the skill of summarizing to text being read
  • Write and present a summary to a small group

UIL Updates (Practices)

Opening:

1. Review your summary.  

  • CN: 4/20: Theme in UP! 
    Below your summary, write an paragraph explaining how the literary element you focused on (setting, plot or character) played a role in your understanding of a theme in the film.


    • Travel
    • Promises
    • Memories
    • What we value
    • ?
    Include:

    • A topic sentence that introduces a theme in Up!
    • Include supporting details and commentary about the film.
    • Make a connection between a literary element and the theme - use the literary term in your paragraph.
    • Use transitions and proper verb tenses and pronoun agreement.

    Share a few aloud.

    Work Period:

    2. Class Notebook: 4/20: Theme

    • Create a thinking map that helps you define the concept: theme


    3. Now Consider Walk Two Moons...

    • What are some themes emerging in the novel?


    4/20: Themes in Walk Two Moons
    4. Jigsaw:

    • Your group will be assigned a chapter (26-29)
    • Review the chapter and take notes on Setting, Plot and/or Character in your Chapter.
    • Present your findings in a Graphic Organizer
    • Take notes as others present.

    Writing Prompt:
    Write a summary of your literary element and how you think the author, Sharon Creech, may be using that literary element in developing a theme in Walk Two Moons.  

    Closing:

    Read Chapters 30-32 tonight (Two new entries)




    4/21: Internal and External Forces


    • Draw a picture of Carl Fredrickson's Head
    • Add in details that explore his internal and external forces.
      • Whenever there is an internal or external force at play, there is usually a conflict in the film.
    What conflicts occur because of his internal and external forces?

    Now draw a smiley face with long, straight hair (Salamanca) and one with curly hair (Phoebe).
    • Add details that explore each girl's internal and external conflicts. (Add at least one force inside and outside of each face.)

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